Do you think you could pull off the perfect murder?

Q and A

It’s very easy to pull off the perfect murder. Just kill somebody you don’t know. The trouble is, the only people I have ever wanted to kill are the people to whom I have quite an obvious connection so it hasn’t been worth the risk, as yet.

Might you also talk a bit about your writing process? Your daily process while you are writing as well as what is it like to write a series—keeping all those plot threads straight!

Writing & Research

I’m very lucky that I have the kind of mind that is perfectly suited to writing fiction and which is horribly ill-suited to everything else. I take notes now and again and sometimes find scraps of paper with random words and aide-memoirs scribbled upon them but by and large I think of my skull like one of those candyfloss machines. I just swirl a stick around in there and ideas stick to it. The story I’m living and breathing then squats there in my head and pushes everything else out. Sometimes I look at the clock and I’ve lost a day and I realise I haven’t been to the bathroom since dawn. I write a chapter a day, no matter what. I’m at my desk by 9am, drinking coffee and grinding my teeth. It’s delightfully masochistic. I kind of enjoy the agony of it, which sounds very pretentious for a writer of dark thrillers! As soon as it’s done, my brain just kind of flatlines for a bit. Then it starts preparing for the next project. Two years later, when the book is in people’s hands, I’ve largely forgotten what it was about. Sorry!

What is essential to writing good crime fiction? Do you stick to some sort of formula or do you break all the rules? Do you read a lot of crime fiction or thrillers as well?

Writing & Research

I read everything I can get my hands on. I love thrillers and psychological fiction but it is rather difficult to read them for pleasure now that it’s my day job. It’s hard not to read with an air of comparing the market. I don’t really take any notice of rules, either in the writing process or in life. Actually, I do have one – if the novelist has mentioned the make and model of a car by the end of the first paragraph, the book isn’t for me. And for God’s sake, don’t start off with a dream. For me, it’s just a case of meeting interesting people and twisting preconceptions on their head. Listen to the radio a lot. People who phone DJs are particularly inspiring – they always seem like the sort of person who could be a killer or the killed. Listen to your inner voice. When some dullard is telling you about their tedious problems, think of ways to kill them, and why. It’s less risky than actually doing it. And you think I’m joking.

Are you a daytime person or more of a vampire?

Q and A

I write during the day and think during the night so it’s hard to say. I’m not a great sleeper and I don’t have to go to an actual job so I’ve never really had to make that distinction. I’m certainly never going to be the last person to leave the bar and still be up drinking at 5am. I prefer to be in bed by 11 with a book – preparing for eight hours of gnashing my teeth and dealing with heartburn.

Dinner menu of choice…

Q and A

Scallops and black pudding, followed by fillet steak with peppercorn sauce, then sticky toffee pudding, a cheese course, a coffee, a brandy, more brandy, an After Eight, maybe a Bailey’s, then onto the whisky. Actually, can I see a wine list…?

On a desert island that you’ve randomly crashed on, which 5 people would you like for company?

Q and A

For a long time, my answer would have been that I wouldn’t want any company at all. But I’m lucky to have found somebody who makes everything seem more tolerable, so my fiancée would be there. Elora, too, though she would be getting booted into the lagoon if she moaned about being hungry. After that, I’d take Monica Bellucci, Ray Mears and Nigel Farage. Monica to look at, Ray to keep me alive, and Nigel because it would bring me pleasure to see him deal with the existential crisis of being a foreigner on uninhabited shores.